Because life is short & the world is big
We went to a fascinating art exhibition called “To Be or Not To Be” the Clam-Gallas Palace in Prague’s Old Town. The first is called Hamlet, and the bust is a study of the contrast and struggle between life and death. The last image in this series has the names of the artists.
Many have told us about the outstanding quality of the Ponce Art Museum (Museo de Arte), but two large earthquakes in January 2020 changed all that, when the main building was badly damaged and closed. They finally reopened a section of the museum this year, and we decided to check it out!
After the earthquakes, the Museum displayed items at its gallery in San Juan, and took to the streets with workshops to shelters and schools. When COVID hit, it expanded its digital platform. Now it’s gradually opening again while raising funds to repair the earthquake damage.
The museum still has very limited offerings, though we really enjoyed what we saw. It costs just $6 to get in, half price for seniors. Free guided tours are conducted at 10 AM (Spanish) and 1 PM (English).
(Note: Ponce is pronounced POHN-say.)
When we lived in San Juan 28 years ago, Bob and I journeyed south to the Ponce home of Puerto Rico’s renowned carnival mask maker, Miguel Caraballo. We commissioned a beautiful mask that dominated the dining room wall of our homes for more than two decades.
That “vejigante” mask is now in storage in Colorado, and a little bent at the tip of one of its horns. Since we spent a few months in Puerto Rico last fall, we decided to commission another one. So last November, we journeyed to Ponce again, and met Miguel Caraballo, his son and his grandson.
Caraballo’s masks are world-renowned. He has a mask on display in the Museum of the Americas in Old San Juan, and another in the Smithsonian Institution’s Museum of American Art.
These papier-mâché masks are typically worn by young men who don the colorful costume of a vejigante, a character who roams the streets during Carnaval de la Playa de Ponce, or the Ponce Beach Carnival, playfully scaring children and other revelers. The carnival held each February, features a huge parade, with the vejigante as a protagonist along with the kings and queens of carnival.
Miguel Caraballo started making masks as an apprentice to a woman in his neighborhood when he was 15, 66 years ago. The masks are made with cardboard, newspaper and brown paper, pressed onto molds and held together with a glue made of flour and water. His son makes masks now, and his grandson of the same name does the family marketing.
We picked up our new mask five weeks after our visit. We were delighted! But it was so big that we almost didn’t get it onto the plane back to the States. We had to buy a very large bin from Home Depot to accommodate all the protruding horns. Although the package weighed hardly anything, the combined length, width and height exceeded Southwest’s size limitations by 2 inches. It was only after we cut open the package and took out the mask to show the ticket agent what we were carrying that he decided to seek special approval from his manager. We had to pay $75 for the oversized item, and the agent exhorted us never to try to fly with such a large item again.
We would have been heartbroken to have to leave such a special item behind.
Now that we have purchased a home in Puerto Rico, we plan to return to the Caraballo home to commission yet another mask!
Peopleareculture.com Article
Museum of the Americas
Smithsonian Institution’s National Museum of American History
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We visited the studios of about 13 artists during Fall Vermont Open Studios Tour weekend. We met artists who crafted using a large variety of media, including potters, wood workers, painters and a digital artist who combined computer art with oil, markers and other media. Below is a list of the artists we visited, grouped by type of art. I have included addresses, phone numbers and websites in case you have any interest in visiting their studios or purchasing their products. Meet some of the amazing artists we encountered!
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| Gerry with his optician’s stand-turned-tool holder |
(This wasn’t part of the Open Studios Vermont circuit, but we dropped in and got a wonderful glass demonstration.)
We recently spent a peak fall foliage weekend visiting artists’ studios and workshops around southern and central Vermont. The quality and variety of the craftsmanship that we discovered on Saturday, the first day, was so enthralling that we repeated the expedition in a new region on Sunday.
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| Open Studios Map and Guide |
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| Diane Echlin’s studio |
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| Nature’s Turn’s studios |
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| Maya Zelkin’s off-the-grid studio |
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| Orchard Street Pottery studio in Brattleboro |
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| Michel Moyse’s Digital Art studio |
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| Maya Zelkin’s handmade wood-fired kiln |
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| Sanford Stagnell’s Hammer Machine |
Next up:
By Lisa Hamm-Greenawalt
